All the Natalie Portmans review

I was honored to be the movement director (handling intimacy, fights, and dance) for All the Natalie Portmans at Thinking Cap Theatre. Check out the production’s review in South Florida Theater Magazine here.

New Podcast Episode Featuring Nicole Perry discussing Psychological Safety at Work

My dear friend and past theatre colleague Rebecca Vickers has a podcast called “Bad Bosses, Great Leaders” and she interviews leaders from a variety of industries to offer their insights and advice on what makes a leader, not just a boss.

Rebecca and I talked about psychological safety- what it is, how to create it and why it’s important.

Check out “Psychological Safety, Vulnerability, and Encouraging Creative Leadership” now here, or wherever you get your podcasts!

Dancing with an Ex?

Dance Magazine offers some perspectives and advice with their new article, featuring some words of wisdom from me.

My favorite: Keeping things professional is essential, even in a workplace that emphasizes expressivity. “We’re constantly tapping into our emotions to tell a story,” Perry says. “That mindset of ‘I’m at work now’ is really important.

Feature on Canvas Rebel

Here’s an interview with me talking about some important things to consider when learning to become an Intimacy Professional.

Want to be an Intimacy Professional?

Join us at IPEC (the Intimacy Professionals Education Collective ) for 3 learning and/or accreditation in tracks:

Intimacy Coordinator

Intimacy Director

Intimacy Educator

Our Section 1 courses are now available! Look for Section 2 coming in February, and Sections 3-5 coming soon!

Have questions? Use the contact page on IPEC’s website or on this website, as I am one of the teachers!

More about Books

While I do have a book of my coming out (see below), I’ve also contributed to a couple that were published recently.

My colleagues and friends Elaine and Heather have a great book for dance and theatre teachers on incorporating consent-forward practices into the classroom. I was honored that they wanted to interview me for it, and extra-honored that when the New York Public Library interviewed them about the book, one of my quotes (one of my favorite things to say!) was featured. See the interview and get Consent Practices for Performing Arts Education.

Besides being interviewed for that book, and Intimacy Coordinator’s Guidebook which came out earlier in 2024 (see post about it below), I wrote a chapter for the latest installment in Routledge’s Applied Theatre series, Applied Theatre and Gender Justice! This book offers case studies and tools for using theatre to make the world a better place. This just came out and is on sale until January 6, so get it now!

Talking about Choreography

I have an interview up with VoyageMIA talking about choreography. It’s one of the “Hidden Gems” on their website.

Book on the Way

I am so excited to share that I am publishing a book with Routledge on consent-forward, trauma-informed, psychologically safe movement pedagogy! This book is designed for dance teachers, as well as those who teach movement actors and stage combat in higher education settings.

I am well into the process of writing and am excited to share it with you- hopefully in early 2026. Stay tuned for updates.

Review for The Fantasticks at Island City Stage

I was really honored by the mention of my role as both ID and choreographer on this new version of The Fantasticks currently up at Island City Stage. (so much so, you can find that quote all over this website now….).

Check it out here.

Review for Lovesong at Thinking Cap Theatre

I had the honor and collaborative joy of serving as intimacy director and movement director for Lovesong at Thinking Cap Theatre in their new space in Hollywood.

South Florida Theatre Magazine review

Momentum Stage is a Doris Duke Foundation Grantee!

Remember a few months ago when we were a finalist for the new Doris Duke Foundation’s Performing Arts and Technology Lab Cohort and Grant…

… and we are a winner!

We are excited to develop Totentanz, a new use of pose estimation and facial recognition technologies to decrease AI theft and training that occurs without choreographer and dancer consent. The project is led by Pedram Nimreezi (AI and technology), me (Dance), and Ed Talavera (Film). Learn more about the project here.

All the Folks that Need to Share my Silver Palm- Part 2

It is such a lovely honor to receive a Silver Palm, because it come from my colleagues! Congratulations to everyone making art in South Florida (it is not the easiest sometimes….), and especially to the other honorees listed here!

But I would be remiss if I didn’t thank the folks involved in these productions I am being honored for. My work only works when it supports the story and the actors can confidently embody it.

Read More

All the Folks that Need to Share my Silver Palm- Part 1

I am so honored to have the South Florida Theatre Community offer me a Silver Palm for my Intimacy work over the last year. I am very grateful for the way the community has embraced this work.

Read More

A New Piece on Psychological Safety in Dance

Since 2019, Halie Bahr, Cat Kamrath Monson, and I have been meeting and talking about ways we were/are changing our pedagogy to foster consent, autonomy, and psychological safety in western concert dance class. And that work finally has a home!

Psychological Safety in the Western Concert Dance Technique Class. Video essay and transcript with Halie Bahr and Cat Kamrath Monson. Published in Conversations a Journal of the Dance Studies Association. Fall 2024.

Reviews for "Have You Seen Boomer" at LakeHouseRanchdotPNG

It’s not often my work gets mentioned in reviews. It’s even more rare to have substantial comments on it appear. So I feel really excited that the 3 reviews published for the absurdist “Have You Boomer?” kicking of LakeHouseRanchdotPNG’s third season have not only included my name, but some great commentary as well.

Miami Herald

When the Lights Go Out (a Miami events website)

South Florida Theatre Magazine

The show closes Sept. 1, so get your tickets now!

I am so grateful to Karina Batchelor-Gomez for being a clear and generous collaborator and Brandon Urrutia for having me back at the Ranch.

And of course, Richard K. Weber and Bianca Utset, for making me look good while you do all the hard work of telling this story in such nuanced, embodied ways. Thank you.