All the Folks that Need to Share my Silver Palm- Part 2

It is such a lovely honor to receive a Silver Palm, because it come from my colleagues! Congratulations to everyone making art in South Florida (it is not the easiest sometimes….), and especially to the other honorees listed here!

But I would be remiss if I didn’t thank the folks involved in these productions I am being honored for. My work only works when it supports the story and the actors can confidently embody it.

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News for Intimacy Professionals (and those who need them!) in Florida

Florida Intimacy Professionals (FLIP) is pleased to announce their launch of an online database for qualified Intimacy Directors and Coordinators in Florida. The organization was created by professionals in live (theatre, opera, and dance) and recorded (film and TV) entertainment to promote the use of Intimacy Professionals, and also to demonstrate best practices in the entertainment industry. These professionals, specially trained in movement for story-telling and creating moments of contact, uphold performer boundaries while fulfilling the creative vision of the director.

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Preventing Harassment and Abuse in Dance Webinar Recording Now Available

Last month, Renee Redding-Jones and I, representing Intimacy Direction in Dance, joined a panel of dance educators, scientists, social workers, and mental health professionals on a panel for IADMS (International Association for Dance Medicine and Science) to discuss creating consent culture in dance.

IADMS has made the recording available, for free, for everyone. Watch it here.

2 Recent Podcast Appearances

In the past 2 weeks I’ve been on two podcasts-

Apolla Performance/Turning Point Creations’ “Beyond the Steps” talking about how, as dance educators, we can help students distinguish the difference between a boundary and a risk.

Audra Allen’s “Dance CEO Coach” talking about equity and professional development in dance.

Both of these are great resources for dance educators and dance entrepreneurs!

Power and Consent in Dance Writings from DanceGeist ezine

Sadly, DanceGeist ezine will be going away soon. DG was a great alternative to competition, commercial-based dance publications, with its focus on Somatics, disruption, and community. Unfortunately, that also means it was hard to sustain. But, I have been given access to all of my pieces from DG! I have link the power and consent series here, and the rest of the articles are all over on the Dance page, if you scroll to the bottom. Enjoy and share!

New Free Downloads

Over on the “Why Hire an Intimacy Choreographer” page, I’ve created 3 new, free, downloads that I think might be useful for theatre or dance companies or production companies or studios considering whether an Intimacy Choreographer is the right fit for the project, and what they can expect that to look like:

  1. 5 Questions to ask when Hiring an Intimacy Choreographer

  2. Intimacy Coordination Overview

  3. Intimacy Direction Overview

Go Check them Out!

As this is my website, the views expressed on this page, that page, and in those documents are solely my own.

Urgency v. Efficiency

Clock-time is a colonial construct, followed to support capitalism. We know that is only a construct, and that time is much more spiraling than linear. And yet, we have agreed to live in society following this guideline.

As a teacher or leader, I can’t create more time, but I can shift how we feel about time.

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Accountability is Not Punishment

I’ve written before about accountability both here (as relates to local theatre) and here (as relates to being persons in community).

The following is an excerpt from the conclusion of my thesis, which holds that collaborative work requires accountability measures.

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I'm an MFA!

Finally, after a long road of graduate exploration beginning in 2016, I am excited to share I officially hold a Master (hate it) of Fine Arts degree in Interdisciplinary Arts with concentrations in both Decolonial Arts Praxis and Performance Creation Concentrations from Goddard College.

This wasn’t a journey I took alone. The following is my acknowledgements page from my thesis, Working Consent: Ethical Engagement with Collaborators, Audiences, and the Land in Dance and Theatre Pedagogy and Practice.

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Money and Time

Money is a challenge for every artist. Despite the buzz around Intimacy work for theatre, film, dance, tv, and opera, payment remains a sticky subject for any Intimacy Director or Intimacy Coordinator.

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